[et_pb_section fb_built=”1″ admin_label=”Call to Action” _builder_version=”4.27.4″ _module_preset=”3550502c-ee6b-45b6-adec-9ea2d78eb848″ use_background_color_gradient=”on” background_color_gradient_type=”circular” background_color_gradient_direction_radial=”top left” background_color_gradient_stops=”gcid-2352d280-fe84-43b1-a71e-f400c35a526a 16%|rgba(255,255,255,0) 100%” background_color_gradient_overlays_image=”on” background_image=”https:\/\/swissflute.ch\/wp-content\/uploads\/2025\/06\/CD-Maggiolini.png” custom_padding=”||1px|||” collapsed=”on” global_colors_info=”{%22gcid-2352d280-fe84-43b1-a71e-f400c35a526a%22:%91%22background_color_gradient_stops%22%93}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.25.2″ _module_preset=”9e87f09f-30be-49be-a498-70c51bfd8a4a” global_colors_info=”{}”][et_pb_image src=”https:\/\/swissflute.ch\/wp-content\/uploads\/2025\/06\/Tommaso-Maria-Maggiolini1.png” title_text=”Tommaso-Maria-Maggiolini(1)” _builder_version=”4.27.4″ _module_preset=”e864751a-837d-43ec-9e23-88090fb196a4″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Photo \u00a9 Luca Tesi<\/pre>\n[\/et_pb_text][et_pb_heading title=”Tommaso Maria Maggiolini” _builder_version=”4.27.4″ _module_preset=”1f68a9f5-4ca8-4442-8ef5-d471b809e7d1″ custom_margin=”||0px||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_heading][et_pb_heading title=”Professore di Pedagogia, Conservatorio della Svizzera italiana ” _builder_version=”4.27.4″ _module_preset=”fd9bef5e-43bd-4db1-b248-2119f0aa3b27″ title_text_color=”gcid-1f1b4e15-7cc6-4e13-8154-74d77a956460″ custom_margin=”||10px||false|false” global_colors_info=”{%22gcid-1f1b4e15-7cc6-4e13-8154-74d77a956460%22:%91%22title_text_color%22%93}”][\/et_pb_heading][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.25.2″ _module_preset=”default” custom_padding=”40px||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_heading title=”Ludwig Van Beethoven” _builder_version=”4.27.4″ _module_preset=”7db299f6-e73f-4d50-8f53-8124ad5db4cb” title_text_color=”#000000″ custom_margin=”||10px||false|false” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.27.4″ _module_preset=”b6128511-675f-4329-b00f-524c3eef8165″ global_colors_info=”{}”]<\/p>\n
Sonata n. 5, Op. 24 in Fa maggiore, per flauto e pianoforte (dalla Sonata per violino n. 5, Op. 24) 24<\/span><\/p>\n
Trascrizione per flauto di Tommaso Maggiolini e Alberto Moretto.<\/span><\/p>\n
Da Vinci Publishing<\/span><\/p>\n
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Photo \u00a9 Ensemble Caravelle<\/span><\/pre>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
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