{"id":10665,"date":"2026-08-05T17:33:00","date_gmt":"2026-08-05T15:33:00","guid":{"rendered":"https:\/\/swissflute.ch\/652-leleve-vs-le-prof\/"},"modified":"2026-10-12T21:26:43","modified_gmt":"2026-10-12T19:26:43","slug":"652-leleve-vs-le-prof","status":"publish","type":"post","link":"https:\/\/swissflute.ch\/en\/652-leleve-vs-le-prof\/","title":{"rendered":"652 \u2022 L&#8217;\u00c9L\u00c8VE VS LE PROF"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px||5px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||2px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_icon font_icon=&#8221;&#xe03b;||divi||400&#8243; icon_color=&#8221;#E02B20&#8243; icon_width=&#8221;41px&#8221; url=&#8221;https:\/\/swissflute.ch\/en\/goldenfluteclassic\/&#8221; align=&#8221;left&#8221; _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-10px|||||&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_icon][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Call to Action&#8221; _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;3550502c-ee6b-45b6-adec-9ea2d78eb848&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_type=&#8221;circular&#8221; background_color_gradient_direction_radial=&#8221;top left&#8221; background_color_gradient_stops=&#8221;gcid-2352d280-fe84-43b1-a71e-f400c35a526a 16%|rgba(255,255,255,0) 100%&#8221; background_color_gradient_overlays_image=&#8221;on&#8221; background_image=&#8221;https:\/\/swissflute.ch\/wp-content\/uploads\/2026\/09\/652_Eleve-VS-prof.jpg&#8221; custom_padding=&#8221;||1px|||&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{%22gcid-2352d280-fe84-43b1-a71e-f400c35a526a%22:%91%22background_color_gradient_stops%22%93}&#8221;][et_pb_row _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;9e87f09f-30be-49be-a498-70c51bfd8a4a&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;|5px||5px|false|false&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1>L&#8217;\u00c9L\u00c8VE VS LE PROF: LA LE\u00c7ON-CONCERT DE S\u00c9BASTIAN JACOT<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;9e87f09f-30be-49be-a498-70c51bfd8a4a&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_video src=&#8221;https:\/\/www.youtube.com\/watch?v=QLPvzcq81vA&#8221; _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|30px|30px|30px|30px&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_video][et_pb_button button_url=&#8221;https:\/\/sebastianjacot.com\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Site internet&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;14px|||||&#8221; custom_padding=&#8221;5px|||||&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][et_pb_button button_url=&#8221;https:\/\/swissflute.ch\/wp-content\/uploads\/2026\/09\/652_Eleve-VS-prof.pdf&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Dossier artistique&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;14px|||||&#8221; custom_padding=&#8221;5px|||||&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;9e87f09f-30be-49be-a498-70c51bfd8a4a&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Musiciens<\/h1>\n<h3>S\u00e9bastian Jacot<\/h3>\n<p>Fl\u00fbte<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;9e87f09f-30be-49be-a498-70c51bfd8a4a&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1><span style=\"color: #003300;\"><span style=\"color: #000000;\">\u00a0Pr\u00e9sentation<\/span><\/span><\/h1>\n<p>S\u00e9bastian Jacot propose une le\u00e7on-concert dans laquelle il prendra tant\u00f4t la place des \u00e9l\u00e8ves, tant\u00f4t la place du professeur, afin de montrer tout ce qui permet de r\u00e9ussir une performance, le tout avec une pointe d&#8217;humour et d&#8217;autod\u00e9rison.<br \/>Titre et programme en cours d&#8217;\u00e9laboration.<\/p>\n<h1><span style=\"color: #003300;\"><span style=\"color: #000000;\">Programme<\/span><\/span><\/h1>\n<ul>\n<li>R\u00e9pertoire d&#8217;auditions d&#8217;orchestre (Mozart, traits d&#8217;orchestre), et pi\u00e8ces de concours internationaux.<\/li>\n<\/ul>\n<p>concert 40 minutes\u00a0<\/p>\n<h1><span style=\"color: #003300;\"><span style=\"color: #000000;\">Originalit\u00e9 du projet<\/span><\/span><\/h1>\n<p>Un professeur de HEM, soliste de renom\u00e9e internationale qui se pr\u00eate au jeu de r\u00f4le pour faire comprendre et rendre visible les \u00e9l\u00e9ments qui transforment une performance en succ\u00e8s, voici la proposition de cette le\u00e7on-concert. Sebastian Jacot souhaite ici pr\u00e9senter presque th\u00e9\u00e2tralement ce qu\u2019il a pu voir en tant que jury dans des auditions ou concours, et permettre ainsi de repartir de cette le\u00e7on avec les informations n\u00e9cessaires \u00e0 la pr\u00e9paration des \u00e9tudiants. Il prendra la place des \u00e9tudiants, puis celle du prof qui corrigera pour rendre cette le\u00e7on magistrale vivante.<\/p>\n<h1>Lien avec l\u2019identit\u00e9 du Golden Flute Classic et\/ou du label &#8220;Signature Gen\u00e8ve 2027&#8221;<\/h1>\n<p>Sebastian Jacot est professeur \u00e0 la HEM de Gen\u00e8ve, ce projet permet donc de faire profiter \u00e0 tout le festival de son enseignement.<\/p>\n<h1><span style=\"color: #003300;\"><span style=\"color: #000000;\">P\u00e9dagogie<\/span><\/span><\/h1>\n<p>Ce spectacle est pens\u00e9 comme une masterclasse en concert, imbriquant \u00e9troitement la performance musicale \u00e0 l&#8217;enseignement de la fl\u00fbte.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;9e87f09f-30be-49be-a498-70c51bfd8a4a&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;10666&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; width=&#8221;91.4%&#8221; custom_margin=&#8221;|5px||5px|false|false&#8221; custom_padding=&#8221;||||false|false&#8221; border_radii=&#8221;on|30px|30px|30px|30px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;9e87f09f-30be-49be-a498-70c51bfd8a4a&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>biographies<\/h1>\n<h3>S\u00e9bastian Jacot<\/h3>\n<p><span class=\"lang-fr\">Fl\u00fbtiste suisse. Soliste, chambriste, p\u00e9dagogue. Form\u00e9 \u00e0 Gen\u00e8ve, r\u00e9v\u00e9l\u00e9 sur les plus grandes sc\u00e8nes du monde.<\/span><\/p>\n<p><span class=\"lang-fr\">Gen\u00e8ve, l&#8217;\u00e9cole d&#8217;une <em>vocation<\/em><\/span><\/p>\n<p class=\"bio-p\"><span class=\"lang-fr\">N\u00e9 \u00e0 Gen\u00e8ve, S\u00e9bastian Jacot \u00e9tudie dans les classes pr\u00e9professionnelles d&#8217;Isabelle Giraud, avant d&#8217;int\u00e9grer la classe de Jacques Zoon au Conservatoire Sup\u00e9rieur de Musique de Gen\u00e8ve. Il en sort en 2010 avec le Dipl\u00f4me de soliste et le Dipl\u00f4me de p\u00e9dagogie, tous deux avec la plus haute distinction.<\/span><\/p>\n<p><span class=\"lang-fr\">Des pupitres <em>d&#8217;exception<\/em><\/span><\/p>\n<p class=\"bio-p\"><span class=\"lang-fr\">D\u00e8s l&#8217;\u00e2ge de 18 ans, S\u00e9bastian Jacot est nomm\u00e9 assistant fl\u00fbte solo du Hong Kong Philharmonic Orchestra sous la direction d&#8217;Edo de Waart \u2014 une nomination exceptionnelle qui l&#8217;initie \u00e0 la vie orchestrale internationale. De retour en Europe, il rejoint l&#8217;Ensemble Contrechamps \u00e0 Gen\u00e8ve (2011\u20132015), avant d&#8217;\u00eatre nomm\u00e9 fl\u00fbte solo du Gewandhausorchester de Leipzig en 2015.<\/span><\/p>\n<p class=\"bio-p\"><span class=\"lang-fr\">Apr\u00e8s sept saisons \u00e0 Leipzig sous la direction d&#8217;Andris Nelsons, Riccardo Chailly et Herbert Blomstedt, il occupe le m\u00eame poste au sein des Berliner Philharmoniker de 2022 \u00e0 2024, sous la direction de Kirill Petrenko, chef principal, et de nombreux chefs invit\u00e9s. Il se consacre d\u00e9sormais pleinement \u00e0 sa carri\u00e8re de soliste international et \u00e0 l&#8217;enseignement.<\/span><\/p>\n<p><span class=\"lang-fr\">Soliste sur les <em>plus grandes sc\u00e8nes<\/em><\/span><\/p>\n<p class=\"bio-p\"><span class=\"lang-fr\">Laur\u00e9at des concours Kobe (2013), Carl Nielsen (2014) et ARD Munich (2015), il se produit r\u00e9guli\u00e8rement comme soliste invit\u00e9 avec des orchestres du monde entier. Membre permanent du Mito Chamber Orchestra, du Saito Kinen Festival (avec Seiji Ozawa depuis 2008) et de la Camerata Pacifica \u00e0 Santa Barbara, il a jou\u00e9 dans les plus grandes salles : Carnegie Hall, Musikverein, Suntory Hall, Elbphilharmonie, Concertgebouw, Royal Albert Hall, Philharmonie de Paris.<\/span><\/p>\n<p class=\"bio-p\"><span class=\"lang-fr\">En chambre, il collabore r\u00e9guli\u00e8rement avec les harpistes Naoko Yoshino, Marie-Pierre Langlamet et Agn\u00e8s Cl\u00e9ment, ainsi qu&#8217;avec Nick Daniel, Ben Goldscheider et Jos\u00e9 Franch-Ballester au sein de la Camerata Pacifica, et la pianiste Irene Veneziano pour ses r\u00e9citals en Italie. Son premier album, <em>Back to Bach<\/em>, a \u00e9t\u00e9 enregistr\u00e9 en mai 2025 avec la claveciniste Irina Zahharenkova et le violoncelliste Francesco Galligioni.<\/span><\/p>\n<blockquote>\n<p>&#8220;Jacot is that rare combination of flautist who plays with copious virtuosity and with a tender, natural musicality that can make you cry.&#8221;<\/p>\n<\/blockquote>\n<p class=\"bio-p\"><span class=\"lang-fr\"><cite>\u2014 Barbara Siesel, <strong>The Flute View<\/strong>, 2016<\/cite><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;9e87f09f-30be-49be-a498-70c51bfd8a4a&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_comments _builder_version=&#8221;4.27.9&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_comments][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;\u00c9L\u00c8VE VS LE PROF: LA LE\u00c7ON-CONCERT DE S\u00c9BASTIAN JACOTMusiciens S\u00e9bastian Jacot Fl\u00fbte\u00a0Pr\u00e9sentation S\u00e9bastian Jacot propose une le\u00e7on-concert dans laquelle il prendra tant\u00f4t la place des \u00e9l\u00e8ves, tant\u00f4t la place du [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10666,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[155,154],"tags":[],"class_list":["post-10665","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concert","category-projets-golden-flute-classic-2026"],"_links":{"self":[{"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/posts\/10665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/comments?post=10665"}],"version-history":[{"count":20,"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/posts\/10665\/revisions"}],"predecessor-version":[{"id":11524,"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/posts\/10665\/revisions\/11524"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/media\/10666"}],"wp:attachment":[{"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/media?parent=10665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/categories?post=10665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/swissflute.ch\/en\/wp-json\/wp\/v2\/tags?post=10665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}