{"id":10405,"date":"2026-08-30T00:00:36","date_gmt":"2026-08-29T22:00:36","guid":{"rendered":"https:\/\/swissflute.ch\/528-lusage-du-monde\/"},"modified":"2026-10-12T21:20:33","modified_gmt":"2026-10-12T19:20:33","slug":"528-lusage-du-monde","status":"publish","type":"post","link":"https:\/\/swissflute.ch\/en\/528-lusage-du-monde\/","title":{"rendered":"528 \u2022 L’USAGE DU MONDE"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.27.9″ _module_preset=”default” custom_padding=”0px||5px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.9″ _module_preset=”default” custom_padding=”||2px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_icon font_icon=”||divi||400″ icon_color=”#E02B20″ icon_width=”41px” url=”https:\/\/swissflute.ch\/en\/goldenfluteclassic\/” align=”left” _builder_version=”4.27.9″ _module_preset=”default” custom_margin=”-10px|||||” global_colors_info=”{}”][\/et_pb_icon][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Call to Action” _builder_version=”4.27.9″ _module_preset=”3550502c-ee6b-45b6-adec-9ea2d78eb848″ use_background_color_gradient=”on” background_color_gradient_type=”circular” background_color_gradient_direction_radial=”top left” background_color_gradient_stops=”gcid-2352d280-fe84-43b1-a71e-f400c35a526a 16%|rgba(255,255,255,0) 100%” background_color_gradient_overlays_image=”on” background_image=”https:\/\/swissflute.ch\/wp-content\/uploads\/2026\/09\/Topolino_6.png” custom_padding=”||1px|||” collapsed=”on” global_colors_info=”{%22gcid-2352d280-fe84-43b1-a71e-f400c35a526a%22:%91%22background_color_gradient_stops%22%93}”][et_pb_row _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.6″ _module_preset=”9e87f09f-30be-49be-a498-70c51bfd8a4a” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.9″ _module_preset=”default” custom_margin=”|5px||5px|false|false” global_colors_info=”{}”]<\/p>\n

Compagnie Topolino<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.6″ _module_preset=”default” custom_padding=”||13px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.6″ _module_preset=”9e87f09f-30be-49be-a498-70c51bfd8a4a” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/w7e26i3Fxhc?feature=shared” _builder_version=”4.27.9″ _module_preset=”default” width=”100%” border_radii=”on|30px|30px|30px|30px” global_colors_info=”{}”][\/et_pb_video][et_pb_button button_url=”https:\/\/swissflute.ch\/wp-content\/uploads\/2026\/09\/528_CIE-TOPOLINO.pdf” url_new_window=”on” button_text=”Dossier artistique” button_alignment=”center” _builder_version=”4.27.9″ _module_preset=”default” custom_margin=”17px|||||” custom_padding=”5px|||||” global_colors_info=”{}”][\/et_pb_button][et_pb_button button_url=”http:\/\/olivierkessi.ch” url_new_window=”on” button_text=”Site internet” button_alignment=”center” _builder_version=”4.27.9″ _module_preset=”default” custom_margin=”||3px|||” custom_padding=”5px|||||” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.6″ _module_preset=”9e87f09f-30be-49be-a498-70c51bfd8a4a” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.9″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Artists<\/h1>\n

Renaud Moutier<\/h3>\n

Piano – design<\/p>\n

Sandra Latour<\/h3>\n

Flute<\/p>\n

Olivier Kessi<\/h3>\n

Clarinet<\/p>\n

 <\/p>\n

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Pr\u00e9sentation<\/span><\/span><\/h1>\n

Un voyage \u00e0 travers les pages de L’usage du monde, chef-d’\u0153uvre de Nicolas Bouvier, publi\u00e9 en 1963.
Ce r\u00e9cit de voyage \u2014 de Gen\u00e8ve \u00e0 la Yougoslavie, la Turquie, l’Iran et l’Afghanistan \u2014 est devenu l’une
des \u0153uvres fondatrices de la litt\u00e9rature voyageuse.
Le spectacle tresse musique vivante, lecture de textes de Bouvier et projection de dessins de Thierry Vernet \u2014 compagnon de route de Bouvier \u2014 pour composer une exp\u00e9rience totale, immersive.<\/p>\n

Program<\/span><\/span><\/h1>\n

Le programme pour flute clarinette et piano, trace un arc g\u00e9ographique et sonore depuis l’Europe centrale jusqu’au Moyen-Orient, en passant par les souvenirs des \u0153uvres qu\u2019ils affectionnaient durant son adolescence genevoise, \u00e9pousant le chemin parcouru par Nicolas Bouvier dans L’usage du monde.<\/p>\n

60 minutes<\/p>\n

Lien avec l\u2019identit\u00e9 du Golden Flute Classic et\/ou du label “Signature Gen\u00e8ve 2027”<\/h1>\n

Ce spectacle musical est \u00e0 la fois ancr\u00e9 dans la terre genevoise avec un de ses auteurs les plus embl\u00e9matiques et permet un croisement des cultures tout \u00e0 fait symbolique de la flute, instrument voyageur par excellence.<\/p>\n

P\u00e9dagogie<\/span><\/span><\/h1>\n

La compagnie Topolino propose une version adapt\u00e9e pour les coll\u00e9giens et lyc\u00e9ens, permettant d’inscrire le spectacle dans des projets p\u00e9dagogiques autour de la litt\u00e9rature voyageuse, de la musique de
chambre et de la g\u00e9ographie culturelle.<\/p>\n

Cette version int\u00e8gre des temps d’\u00e9change avec les artistes avant ou apr\u00e8s la repr\u00e9sentation, permettant
aux \u00e9l\u00e8ves de d\u00e9couvrir les instruments, le processus de cr\u00e9ation du spectacle, l’\u0153uvre de Nicolas Bouvier et les paysages musicaux travers\u00e9s \u2014 des Balkans \u00e0 l’Iran.<\/p>\n

Adapt\u00e9 aux programmes de: Histoire des arts \u00b7 \u00c9ducation musicale \u00b7 Lettres \u00b7 G\u00e9ographie<\/p>\n

La compagnie est ouverte aux partenariats avec des \u00e9tablissements scolaires, des DAAC (D\u00e9l\u00e9gations Acad\u00e9miques \u00e0 l’Action Culturelle) et des dispositifs d’\u00e9ducation artistique et culturelle (EAC). Nous contacter pour toute demande sp\u00e9cifique.<\/p>\n

 <\/p>\n

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Biographies<\/h1>\n

Renaud Moutier \u2022 Piano – conception<\/h3>\n

Pianiste et musicien de chambre, Renaud Moutier est l’initiateur et le concepteur de ce voyage musical. Sa
sensibilit\u00e9 pour les r\u00e9pertoires d’Europe centrale et orientale, conjugu\u00e9e \u00e0 une forte app\u00e9tence pour les formes
pluridisciplinaires, fait de lui l’architecte naturel de ce projet o\u00f9 musique, litt\u00e9rature et arts visuels se r\u00e9pondent.<\/p>\n

Sandra Latour \u2022 Fl\u00fbte traversi\u00e8re<\/h3>\n

Fl\u00fbtiste au parcours riche et \u00e9clectique, Sandra Latour apporte \u00e0 ce projet une couleur sonore d’une grande
finesse. Sa palette expressive, de la transparence debussyste aux colorations orientales, en fait l’interpr\u00e8te id\u00e9ale
des pages \u00e9voquant les paysages et les rencontres du voyage de Bouvier.<\/p>\n

Olivier Kessi \u2022 Clarinette<\/h3>\n

Clarinettiste Genevois au timbre chaleureux et g\u00e9n\u00e9reux, Olivier Kessi navigue avec aisance entre les grands r\u00e9pertoires romantiques et les improvisations inspir\u00e9es des musiques traditionnelles du Proche et Moyen-Orient. Sa pr\u00e9sence sc\u00e9nique contribue \u00e0 l’intensit\u00e9 dramatique du spectacle.<\/p>\n

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